This summer was all about the remakes and sequels. Some of them were good, like Star Trek and others were rather bland or just sucked all together like Terminator Salvation and Transformers. It's extremely refreshing when something new and awesome is given to us to enjoy, and nothing more represents that feeling than Neill Blomkamp's District 9.
District 9 is essentially a big-budget remake of Blomkamp's short film Alive in Joburg, with obvious expansions of the plot, characters, and special effects. The movie is about a group of errant aliens who's ship settles just above Johannesburg twenty years before the film is set. Having nowhere else to put the growing alien population, the South African government settles the refugees into a slum known as District 9. This is just one of several not-so-subtle references to apartheid in the movie, and this along with the slow start of the film is one of District 9's few failings. Once the movie gets going you're almost unprepared for the massively epic finale to the film, and before I spoil too much I'll just say that the alien weapons in the movie are definitely video game inspired and utterly awesome.
Speaking of the aliens, they look fantastic. Not only are they exceptionally animated, they're everywhere on-screen. The filmmakers are not shy in showing off their masterfully crafted aliens, but it never feels like they're hogging the spotlight. Further, I suspect that a lot of the time and effort in animating the aliens comes from the aborted Halo movie, that special effects house Weta was also working on. The aliens are sized just about right to be Elites, and one of the alien crafts looks an awful lot like a Pelican. I don't consider this to be a mark against the movie, as any means by which to deliver quality special effects is alright with me. Weta does a great job of making the Prawns, a slurish nickname for the District 9 aliens, different enough in size and texture from Elites for most people not to notice.
District 9 is now required viewing for any fan of good science fiction, and manages to challenge the epic Star Trek for being the best sci-fi movie of the summer and perhaps the year. Really, it's not fair to label District 9 as merely good sci-fi as it stands on it's own as an excellent film quite well. 9/10
From a virtually unknown filmmaker's work, we shift now to a guy that everyone knows and his movie that's been a long time coming. Quentin Tarantino has been working on Ingourious Basterds for over a decade, and I remember when I first heard about the movie right around when Kill Bill came out, and I was pretty excited about it. Some of my favorite movies are World War II films, including Kelly's Heroes and The Dirty Dozen, and this looked to be aiming for being that kind of WWII flick.
Inglourious Basterds definitely delivers such a movie, complete with Tarantino's trademark dialogue and violence. The movie is almost more of an exploitation movie that revels in the brutal killing of Nazis, with many breaks of tense but polite conversation. It's not a film for the squeamish, as many people are regularly and gruesomely dispatched throughout the movie. It's also not a movie for those that dislike killing for killing's sake, so if you didn't like movies like Hostel or Saw, you might want to skip this.
That said, Nazis make for the perfect villains as Indiana Jones and Wolfenstein both proved to us. Killing is not OK, but tempering that notion by killing Nazis is perfectly acceptable in most forms, and is almost cathartic for people who really REALLY hate Nazis, like Jake Elwood or Jewish-American soldiers that make of the Inglourious Basterds in the film. If you already are a fan of Tarantino's work, you need to check this out. Look for excellent performances by the unknowns of the cast, like Mélanie Laurent as the scarred Shoshanna and Christoph Waltz and the polite, evil, and multilingual Nazi Colonel Hans Landa. I for one like this a lot, Nazi killing and all. 8/10
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